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Posts tagged "solidarity politics"

Dr. Martin Luther King, Jr. “Why I Am Opposed To The War In Vietnam.”

As I have walked among the desperate, rejected, and angry young men, I have told them that Molotov cocktails and rifles would not solve their problems. I have tried to offer them my deepest compassion while maintaining my conviction that social change comes most meaningfully through non-violent action; for they ask and write me, “So what about Vietnam?” They ask if our nation wasn’t using massive doses of violence to solve its problems to bring about the changes it wanted. Their questions hit home, and I knew that I could never again raise my voice against the violence of the oppressed in the ghettos without first having spoken clearly to the greatest purveyor of violence in the world today: my own government. For the sake of those boys, for the sake of this government, for the sake of the hundreds of thousands trembling under our violence I cannot be silent. Been a lot of applauding over the last few years. They applauded our total movement; they’ve applauded me. America and most of its newspapers applauded me in Montgomery. And I stood before thousands of Negroes getting ready to riot when my home was bombed and said, we can’t do it this way. They applauded us in the sit-in movement—we non-violently decided to sit in at lunch counters. The applauded us on the Freedom Rides when we accepted blows without retaliation. They praised us in Albany and Birmingham and Selma, Alabama. Oh, the press was so noble in its applause, and so noble in its praise when I was saying, Be non-violent toward Bull Connor;when I was saying, Be non-violent toward [Selma, Alabama segregationist sheriff] Jim Clark. There’s something strangely inconsistent about a nation and a press that will praise you when you say, Be non-violent toward Jim Clark, but will curse and damn you when you say, “Be non-violent toward little brown Vietnamese children. There’s something wrong with that press!

Latoya Peterson: What disturbed me most about the talk wasn’t anything with Junot. It was the reaction of the audience to a few different things. There are screams of joy and elation when Junot talked about his dating life, but we can’t even get a clap or a finger snap when he stressed the need to care about the issues of other communities like we care about our own? I’m not going to lie, y’all–that hurt. Junot said it twice, and it still was met with silence.

If other advocates for racial justice won’t clap for inter-group/inter-ethnic/interracial solidarity, what kind of hope do we have for true, lasting change? I know that’s not as sexy as finding out if Junot was, in his words, “a cheating motherfucker” like Yunior, or even as scintillating as discussing decolonial love, but damn.

I’m not trying to be melodramatic here. But my year away has really kind of opened my eyes to all the places where we as activists are not. There is so much work to be done. So many pathways to blaze. But how do we do that if we are content with sitting in our own silos and not working across boundaries?

Racialicious Night Reading: the Racialicious team—with special guest Tressie McMillan Cottom—chat about our reactions to this year’s Facing Race conference

On Facebook and Twitter, there’s hot debate over “Bad Girls.” Many absolutely love the video, proclaiming it to be M.I.A’s big comeback, while others remain unsure. Some see it as embodying resistance to the norm, while others don’t think it resists enough.

For my part, I’m taken in but left feeling uneasy. What’s missing is the present context of North Africa and the Middle East; it’s been a year since the revolution that toppled Tunisia’s Ben Ali, Egypt’s #Jan25 call that led to the ousting of Hosni Mubarak, the Libyan uprising against Muammar Qaddafi, and ongoing struggles for political justice in Syria and Yemen. Images, videos, and news reports of the region have shown inspiring scenes of resistance.

But in “Bad Girls”’ depictions of the Arab world, I see a false, hyped-up misrepresentation of the region we now know for the Arab Spring. I’m bothered by M.I.A.’s reproduction of Orientalist tropes–“Orientalist” in Edward Said’s sense, of a distorted lens through which Arabs are viewed and “experienced” by the West. “Bad Girls” is just a hipper, high-definition stereotype of Arabs as desert-dwelling, sword-wielding, horse-riding, and dangerous.

M.I.A. and the video’s director, Romain Gavrais, perform controversy for the sake of controversy and cash in on the Arab Spring. They aestheticize the recent uprisings while avoiding a precise political statement.

I get that it’s just a music video. I also get that there’s only so much a music video can do. At the same time, compared to a reality in which Arab peoples are demanding control of their own representation, not as terrorists or blank faces with guns but as people fighting for political voice, “Bad Girls” seems lacking in creativity and vision. While undeniably hip, M.I.A.’s video is politically vacant in comparison to lesser-known artists with far fewer resources–like DAM and Shadia Mansoor from Palestine and the Iraqi-Canadian rapper The Narcicyst.