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Posts tagged "Sochi"

Today on the R: Skating Through A Rink Of Frozen White Tears: An Olympics Recap

So why was Nagasu a lesser choice than Wagner? Or then-15 year old Polina Edmunds, who had no international experience whatsoever prior to setting blade to ice in Sochi? Why would any of this come up as an issue when they were perfectly fine in naming bronze medalist Jason Brown to the US Men’s team. Brown is a 19 year old skater with only two major pre-Olympic competitions to his name and no competition ready quad of any kind. If USFSA were that concerned about winning then Jason Brown , despite being a crowd favorite youtube phenom, would not have been competing in Sochi.

There’s no firm answer to the Mirai vs. Wagner question. Some have speculated that the USFSA thought that Edmunds’ Russian heritage would endear her to Russian audiences and help her mental performance. Some believe that they group was well aware that NBC had been pushing the Ashley Wagner storyline since October; having already lost Evan Lysacek and thus one great rivalry (Lysacek vs. Plushenko) and plucky blonde skier Lindsey Vonn, NBC couldn’t afford to lose anyone else they’d spent advertising dollars on. Others suspected they didn’t like that Nagasu was competing at Nationals without a coach and firm team behind her. She certainly managed to medal despite it all. However all speculation aside the facts are clear: this marks the second time USFSA has used their power to deny an Asian skater an earned spot on Team USA.

Perhaps this wouldn’t have stung the way it did had the ladies team gone and performed to the ability that USFSA assured us they would. No one was expecting a podium sweep (let’s be kind and call this a “rebuilding year”) but there were hopes that Ashley Wagner or Gracie Gold could manage a medal of some colour. Gold finished 4th, Wagner finished 7th, and Edmunds finished 9th. A top ten finish is a fine accomplishment for a 15 year old skater making their debut like Edmunds, but more was expected from Gold and certainly from Wagner who many feel didn’t earn her spot on the team to begin with. Like with Harding and Kwan we’re left wondering what might have happened had Mirai been allowed to go and represent her country rather than being shunted off to the side by a committee who clearly hasn’t learned from their past mistakes. — Kendra James

Nancy had gradually come to embody all the qualities that Tonya, it seemed, would never quite be able to grasp. Nancy’s presence was elegant and patrician despite her working-class background; her skating was as graceful and dancerly as Tonya’s was explosive and athletic. Audiences and commentators wanted elegance and grace; they wanted Nancy, and as good as Tonya was—as great as Tonya was—it had become painfully clear, over the last few years, that she would never quite be right.

There seemed to be a greasy, eventually shameful pleasure that came with both writing and reading about not just Tonya’s gaffes or problems but the basic facts of her existence. Her mother had been married six times to six different men, or maybe seven, depending on the journalist’s sources. Tonya owned her first rifle, a .22, when she was still in kindergarten, and had moved thirteen times by fifth grade. She dropped out of high school at fifteen…She skated to songs like Tone Lōc’s “Wild Thing” and LaTour’s “People Are Still Having Sex.” She was ordered to change her free-skate costume at the 1994 Nationals because the judges deemed it too risqué. Her sister was a prostitute. Her father was largely unemployed, as was her mother, as was her ex-husband.

Believermag’s article, “Remote Control: Tonya Harding, Nancy Kerrigan and the Spectacles of Female Power and Pain” provides insight into the role media played in shaping the assault on Kerrigan’s landing leg prior to the 1994 US Figure Skating Championships and how important perceived femininity can be in figure skating and women’s sports.

I wasn’t a serious skater yet in ‘94, but I remember being 6 and absolutely scandalised at Harding’s alleged actions. I believed the media hype and declared Nancy Kerrigan a personal hero. But after reading this piece Tonya Harding is feeling surprisingly, well, relateable. My background is nothing like Harding’s detailed above, but as a Black figure skater achieving the appropriate levels of perceived femininity, grace, and poise wasn’t easy.

Whether it was my my height, my different hair (no neat skating bun for me), the fact that I couldn’t buy skating stockings that matched the color of my skin, the fact that I couldn’t order and wear the same shades of makeup as the other (white) girls on my synchonised skating team, there was always something that kept me from feeling like I was adored the same way the other skaters were. 

By the time I left high school I had all my double jumps down, passed all my moves tests, and was helping to coach a local synchronised skating team, so it wasn’t for lack of talent that the familiar accolades of “you’re so graceful” or “you have such artistry” seemed to always turn to variations of “you’re so athletic/aggressive!” or “you have such a unique style”. Someone at my club in Connecticut commented that I’d probably be amazing at track and field because my skating was so fast and powerful, and had I thought about that instead? New York City tourists have politely and very complimentary (in their eyes) told me that I’m “the best Black skater they’ve ever seen, and so powerful!” Strong, powerful, aggressive, athletic; not the words you want to hear in the delicate, feminine world of figure skating.

Harding’s desire to skate programs to untraditional music choices mirror my own. The year Will Smith’s Big Willie Style came out I desperately wanted to do a competition program to Men in Black or Miami. My coach looked horrified when I played her the tape, and I ended up with a program from the musical Camelot instead that satisfied the requirements of soft, graceful, feminine skating.

That was 17 years ago, but you’re still not going to see many programs like Starr Andrews’ (to Willow Smith’s Whip My Hair) in national and international competition. Music that derives from the standard Euro-classical and instrumental should be avoided, but if it is to be presented it should be done only by an All American white girl in a bindi so as not to threaten the sport’s reputation or the judges’ sensibilities.

I don’t compete any more. I haven’t put on a pair of skating tights in years because Capezio’s "tan" is still about 5 shades lighter than I am, and Surya Bonaly was a childhood hero. I put on headphones and skate to whatever I want— almost always starting a workout with Beyonce and DMX. I have half a program to “Partition” choreographed already, not that it would ever be acceptable in competition. We can’t excuse whatever part Tonya Harding may or may not have played in the assault on Nancy Kerrigan in 1994, but I get what it’s like to not be seen as the “‘lovely,’ ‘ladylike,’ ‘elegant,’ and ‘sophisticated,’;one,” and spending the energy trying to conform to a sport standard that’s not necessarily made to fit how the world’s been trained to see you. I suspect that several other Black athletes do as well; Serena Williams comes quickly to mind.

Just something to keep in mind as we approach the Sochi Winter Games. Sometimes it’s more than expensive costs that keeps girls off the ice. - KJ